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#DiscoveringWrestling #021 – But why does YouTube hate Pro-Wrestling? Part 1

I wanted to release an article today about WCPW’s recent tapings as part of my #TorontoWrestling series. They taped the Canadian leg of their Pro Wrestling World Cup on May 14th 2017 at The Phoenix, immediately after a fantastic Smash Wrestling event. The article I wanted to post was a hype article, a spoiler-free review of the show (as they had requested that those in attendance not spoil the results on the internet before it is broadcast). It is set to broadcast shortly, at the end of this week. It would have been a glowing spoiler free review. The show was fantastic, with no less than three absolutely stellar matches. It saw local talent excel in surprising, opinion-changing ways. It introduced me to new names and faces that have bright, vivid futures in Pro-Wrestling. It was exciting and well produced.

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“What Culture” may be a dumb, tongue-in-cheek name, but their product is solid fun.

But then on the way to work today this video hit my twitter feed…

WhatCulture are not the only company who are seeing a hit to their financials out of YouTube and this was not the first time I had heard mention of heavy cuts to vital advertising revenue being bemoaned by a Pro-Wrestling organization – nor would it be the last time I would hear about it today. Beyond Wrestling suffered a hit, and so did the Women’s Wrestling Revolution. Beyond Wrestling have publically announced on their twitter that they are getting 1/10th the revenue they had been getting – and had insinuated that their ad revenue had been a big factor in the talent they were bringing in. They have also said, however, that their income streams are diversified enough that they will weather the storm. However, unlike other companies, WhatCulture started off, are most familiar with, and rely very heavily upon their YouTube platform to fund their operations and keep it viable as a business.

An argument can be made here against putting all your eggs in one basket, but it’s also hard to blame a company that has been around for less than 2 years for not diversifying their income source enough to protect against something as unexpected as YouTube classifying all of Pro-Wrestling in its entirety as not advertiser friendly. The YouTube bubble was bound to pop, and WCPW had started to diversify their funding platform with their subscription “WCPW Extra” service – and subscription services are a crowded, competitive marketplace. Unfortunately, this has not provided them with the kind of buffer they need to keep promoting shows at the frequency, quality, and scale that they had been doing previously.

These companies, and many others I am certain, produce quality Pro-Wrestling entertainment. They help to elevate their scenes. They provide a place for people to work. They expose people to unique and different things. All of that is in various degrees of jeopardy because of a unilateral, seemingly arbitrary, decision made by YouTube to protect its bottom line – which I cannot argue against them having the right to do.

What I can look at, the questions I can raise, are about how these companies can, nay must, adapt to the evolving landscape. What strategies will be most effective and what options do they have to compensate and adjust for the lost revenue? As I see it there are really only two options: either promotions suffering from the sucking chest wound of lost advertising revenue find a way to replace that with increased revenue directly from fan pockets, or convince YouTube that Pro-Wrestling content, while sometimes overly violent and raunchy, is, nonetheless, a desirable market for advertisers to want to be associated with.

It seems apparent that WCPW have a plan to “fight back,” a plan so good they called it a campaign. Words of war are nothing to bandy about without actions to back them up. Come back next week when I will explore the options available along both the path of adaptation and that of confrontation which lay ahead of the companies most affected by YouTube’s policy changes.

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#DiscoveringWrestling #020 – #TorontoWrestling reviews Smash Wrestling’s Have Ring Will Wrestle

I arrived at the Phoenix Concert Theatre a touch too early, and woefully underfed. With back-to-back shows to attend, I had an 8 hour shift of writing notes, talking to fans nearby me, and no food in my belly to look forward to. Thankfully the Phoenix has a Burrito Guy (okay, he also makes Tacos and Quesadillas) and while moderately overpriced (it is venue food, after all) the damn burritos this man cooks up were big and delicious. Burrito Guy saved my day. I had lunch and dinner from him, and would not have been able to focus on the proceedings had he not been there. If you have been to the Phoenix, you’ve seen him slinging his food, next time try it.

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Basically the best event logo they’ve had. The event T-Shirts are boss and I love mine. Buy one yourself!

Match 1: Brent Banks vs. Kevin Blackwood vs. Buxx Belmar vs. Scotty O’Shea vs. Sebastian Suave vs. Vaughn Vertigo

This match was a 6-Man Timed Entry Elimination Match. They didn’t explain the rules to the audience beforehand but it became readily apparent as they started with just Brent Banks and Scotty O’Shea in the ring, but Kingdom James, the manager of Sebastian Suave, came out and cut a promo and waited around at ringside for his man to come in. The big countdown clock also helped, once the next fellow was ten seconds away. I hate O’Shea’s ring gear more and more with every time I see him. Kingdom called it a wet suit. It does kinda look that way.

The match kicks off and Brent Banks makes a point of showing off how agile he is. He gets a gorgeous dropkick into the mix to take control of the flow of the match. The countdown pops up, sooner I think than anyone anticipated, and Vertigo hits the ring, taking quick control of the situation with his aerial stylings. The countdown pops up again and Buxx Belmar heads to the ring, somehow acting even weirder than before his injury put him out for years. Belmar takes down everyone, dropping them in a big dog pile in the middle of the ring, and does a splash on the pile. He then hits O’Shea and Vertigo with his very loudly proclaimed “Penis Attack!”, best described as a Shining Wizard face hump.Banks avoids being the victim of Belmar’s balls, and gains the advantage. The countdown timer pops up again and we are treated to the entrance of Sebastian Suave. Suave takes control of the ring and drops everyone. Suave ties O’Shea up but before he can eliminate the wet-suit wearing Hacker he eats a superkick from Brent Banks. That countdown timer comes up again and Kevin Blackwood storms down to the ring. He tries to clear out the competition, gets through most folk, bot O’Shea takes him down.

The match moves on and they go for the obligatory multi-man Tower of Doom spot out of the corner. I’m growing tired of this spot, it’s not fun anymore. Suave takes control of the fracas but eats a huge powerbomb from Banks. Everyone switches up, in and out of the ring, and in the chaos Buxx Belmar scores the first elimination on Vertigo, but can’t rejoice in his vioctory as Sebastian Suave wrecks him for the 3 as well. Four men left. Kingdom James announces a commercial break and some endorsement message plays on the “tron”, Suave stares at it and admires himself on the big screen. Usually these commercial break spots are a moment of rest for those in the ring, but Blackwood says “Fuck It!” and grabs Suave in a surprise pinning predicament to eliminate The Endorsement. Huge Pop from the crowd. Blackwood goes  on a tear, hits O’Shea with a Yoshitonic for one, but he keeps going. Blacwood sneaks a roll up on Banks during the fracas for 3 count and gets a nice clean hit on on O’Shea for 2.5. O’Shea almost puts Blackwood away with a corner cannonball. Scotty O’Shea avoids multiple pinfall attempts and ends up getting the final three count out of a nice Gory Special into a slam.

Good opening match with lots of energy brought out of the crowd, good way to psyche us up for the two back to back shows. Post match Tarik beats down Blackwood for just being the new kid on the block. It feels like Tarik is in the Gatekeeper role in Smash, running new blood through the meat grinder to establish them and see if they stick. Should be a good feud between them.

Grade: B-
Match 2: Well-Oiled Machines (Psycho Mike + Braxton Sutter) vs. Tabarnak De Team (Thomas Dubois + Mathieu St-Jacques)

The whole match starts with the Well-Oiled Machines oiling themselves up, followed by the crowd chanting for TDT to likewise oil up, so they take their flannel off and get their burly Quebecois selves nice and greasy. Of course, Psycho Mike and Braxton Sutter take this as an opportunity to jump them and beat down on them before the bell. but they make the terrible choice of gloating over their pre-match assault and wind up falling victim to an act of revenge. TDT stack Mike and Braxton on top of each other in the corner and brutalize them. TDT take control, tagging in and out, as they work over Psycho Mike. They just wreck him for a while.

The Well-Oiled Machines take control via shenanigans and Sutter lays into St-Jacques, beating him down but not securing the pinfall. Frequent tags keep the Machines in control until St-Jacques clears the opposition and gets the hot tag. Dubois is inand tosses Psycho Mike around, hitting huge moves. The Well-Oiled Machines spill out to the floor and Tabarnak De Team follow suit with stereo Tope Suicidas. The two teams brawl into the audience in what is easily becoming a trope at Smash shows. They work their way back, collectively, into the ring and when the opportunity presents itself St-Jacques hits a glorious Moonsault on Psycho Mike, but Sutter breaks up the pin. The Well-Oiled Machines next get Thomas Dubois into a pin, and he kicks out with both of them on top of him. St-Jacques comes in and DDTs both opponents. They go into a sequence where both teams tease their finishes but can’t follow through, TDT get the upper hand and slam Mike and Sutter into each other, then hit a Diving European Uppercut-Powerbomb combo for the win.

Grade: B-

Amusingly, between matches they have to get some crew in to  wipe down the ropes, as they were covered in oil from the previous four burly men.

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Having never seen either before, this image made me anticipate a much more even match.  That was a height joke.

Match 3: KC Spinelli vs. Vanessa Kraven

Vanessa Kraven is huge compared to KC Spinelli, and they play off of it, both for comedy and intensity. They start with comedy as KC tries to deal w/ the sheer size of Kraven, whom they introduced as “The Mountain“. It’s almost as if KC is stunned by the fact that a woman that large exists, standing across from her. Spinelli finds an oily patch of ropes, vocally drawing attention to it, and when the chance arrives she grinds Kraven’s face into the oily patch. Nevertheless, Kraven keeps derailing Spinelli with, needing just one hit to undue any amount of work Spinelli can do. Inevitably Kraven easily takes control with a series of damn thunderous chops. She gets to stomping on Spinelli, but they just look too fake and take me right out of the story they’ve been telling. Kraven makes up for her stomps with a pair of nice overhead belly-to-belly suplexes. The second one looks like it was a bad head dump. Brutal! She gets that corner cannonball everybody and their uncle is doing now and only keeps KC down for two. Both previous matches, and many more on this night, featured that exact same move. This one seemed kinda boring after the previous two, this one just didn’t  stand out. Kraven wins with a Chokebomb.

Overall, this match wasn’t bad, but it did nothing to really excite me and felt poorly placed on the card.

Grade: C
Match 4: Kevin Bennett and Franky TM vs. the Super Smash Bros (Stu Grayson + Evil Uno)

Before the bell a brawl breaks out and all four men spill outside the ring, and then Bennet’s cronies get involved. The Super Smash Brothers are overwhelmed and Bennett’s cronies hold them in place as Franky goes for a big ol’ Tope Suicida, but Uno and Stu escape just in time for Franky to wreck Bennett’s thugs. Then they just brawl all over the venue. They head back up the ramp and it’s impossible for me to see exactly what is going on. Then all of a sudden people are flying down the ramp section and there’s just chaos.

The SSB get back in the ring, dragging a limp Bennett and Franky with them and finally the bell rings, the match can now start. They go for a pin, and almost get a win right out of the gate, but Bennett’s cronies break it up. The biggest guy out there, Bennett’s personal security, eats an absolutely brutal slam onto the apron from Stu Grayson. He’s just so heavy looking, the force that must have had… I certainly wouldn’t have gotten up after that.

Once the fracas ends it’s Franky and Uno in the ring, very evenly matched. Uno tags in Stu who flies through the air, right into the loving embrace of Franky TM, who drops him hard in a great slam. Bennett gets in with Stu, but can’t secure the three count when he has Grayson down. There’s miscommunication and Bennett winds up ganking Franky, but the SSB can’t get the 3 either.

Franky cleans house, but he goes after Bennett, looking to take out many months of frustration and being Bennett’s bitch. Bennett’s cronies yank him out of harm’s way and then Franky gets abused by the SSB. He eats a series of knees and super kicks while tied in the ropes and takes a running knee-piledriver combo for the SSB to win.

Grade: C+
Match 5: Greed vs. Tyson Dux (c) – Smash Championship Title Match

Greed starts throwing down big hits right away, but Dux comes back and hits a huge corner Death Valley Driver. He only keeps greed down for two. The story of the match is technique versus brute force. There’s some even back and forth, each man laying furiously into the other. Grred keeps up well with the former Cruiserweight Classic competitor in Tyson Dux. They spill outside onto the floor. Greed gets the advantage, using his size and weight.

The crowd is oddly silent but they pep up when Dux gets to work suplex-ing and cutter-ing Greed. In the ensuing action there is one point where Dux’s pained expression is just priceless. I hope they got an angle on the camera that captures it for their streaming service. You gotta see it. Dux hits a big superplex on Greed, and transitions, turning the big man over into a Boston Crab right in the middle of the ring. Greed escapes and Dux tries to thwart him by going up top but the big man catches him and rams him to the turnbuckle. Again, it’s oddly quiet. Greed takes control and finally his his shirtless Bullfrog Splash (I coined that myself, at the show, get it? Because Greed is huge) but only gets two on Dux. The champ gets a huge brainbuster on Greed, only keeps him down for two. Dux picks him back up and gets another brainbuster for the final three count.

It was a good match but never really lit the crowd on fire. I’m surprised that ROH haven’t come knocking for Dux, considering the style he’s working these days and their dearth of talent.

Grade: B-
Match 6: Tarik vs. Kyle O’Reilly

The crowd is on fire when O’Reilly makes his entrance. There’s some nice chain wrestling to start. They go back and forth with technical style and O’Reilly does his sunset flip-arm bar spot. O’Reilly is in control and he does the weirdest twisting takedown. O’Reilly grinds on Tarik, controlling the flow of the fight, but it gets messy on the apron and Tarik winds up in control. Tarik gets a nice Vertical Suplex in, but only gets a two count out of it. His frustration grows and Tarik’s well established wild side comes out, he chokes O’Reilly multiple times with the ring ropes. It spills outside for a moment, but it quickly gets back inside and Kyle gets to kicking Tarik, but Tarik reverses with a Disaster Kick and gets 2 on O’Reilly. Tarik goes for a mount on O’Reilly but gets a leg bar for his troubles. They do a strong style strike exchange, and it looks like Kyle’s in control but Tarik counters with a huge drop kick.

Tarik looks to be in control and goes for his Backpack Stunner but gets choked. They brawl and O’Reilly gets in his signature combo before going into a huge sequence that nets him multiple submissions on Tarik, but Tarik gets to the ropes. He keeps up beating on Tarik but winds up eating a comeback Backpack Stunner, getting a two count on the former Ring of Honor World Champion. They exchange a series of huge big boots, do a forearm back and forth spot, and then Kyle gets the upper hand and unloads with dozen knees on Tarik. A final flurry of moves sees O’Reilly choking, kicking, and brainbuster-ing Tarik, who kicks out at two. O’Reilly catches him mid kick out and locks on an armbar for the tap out.

Grade: B
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They need to get more designs done like this for future shows.

Match 7: Michael Elgin vs. Zack Sabre Jr.

The crowd was hyped. They mix it up and play power versus technique to good results. They do a classic Greco-Roman knuckle lock test of strength spot, I haven’t seen one of those in a while. Made me smile. It was like comfort food for my wrestling soul. ZSJ goes to work on Elgin’s arm, binding him for days. I love the little touches Sabre does, grinding away at spots on Elgin’s arm with his elbow, bending his fingers back. For all the babyface treatment he gets, ZSJ is vicious and ruthless in the squared circle.

Elgin stops Sabre with a cutter, and uses his strength to put ZSJ down. They do the stalling suplex spot, full thirty seconds, each one punctuated by a chant. It gets elgin a two count. They go back and forth, do some strong man spots, and then ZSJ gets a great sweep and running PK for the two count. Elgin gets three German Suplexes on the Brit, but ZSJ dodges a lariat and ties Big Mike up. Elgin escapes and hits an Enzuigiri to try and take control but Sabre combos into a two count. Then they exchange strikes. Sabre kicks the crap outta Big Mike but eats a Falcon Arrow for his troubles. Sabre winds up getting a Jim Briggs Special on the top rope, but gets sunset bombed, hard. Somehow Sabre kicks out. Big Mike sells all the work ZSJ has done to his arm really well, and it was a bit of shame that he didn’t carried it over into the WCPW show, but the two don’t share continuity so there’d be no meaning behind it outside of for the audience members who attended both events back to back.

Big Mike gets out of submissions using power and the two brawl to the apron where Elgin hits a DVD. He then hits Sabre with an outside-to-inside Avalanche Falcon Arrow, gets two. Buckle Bomb and then Power Bomb and Sabre counters into a prawn hold. It’s followed by a lightning fast exchange between the two. it ends with Elgin hitting a Sit-Out Cricifix Powerbomb. He getsa two count and the crowd goes wild. Elgin goes for the Burning Hammer but Sabre flips out of it and gets a strong kick on Elgin. This leads into a flurry of action and Elgin gets the win with a sitout powerbomb.

Grade: A-

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#NoLookingBack #018 – On being Overwhelmed

I have a lot I want to accomplish in life, as a writer and creator. I have always wanted to achieve so much and I struggle daily with feeling like I am never doing enough. Even when I am meeting my self-assigned deadlines, producing routine content, and growing my presence on social media – all integral elements of my strategy towards success – I feel I am letting myself down on a cosmic level. It is the ever present hound, nipping at my heels, driving me forward in frustration and confusion.

The funny thing is, that that sensation, of never having accomplished enough… sometimes it freezes me and I get flustered. I wonder if my ideas are worth it, if the effort is worth it. Clearly, the darkness inside me speaks aloud, if what I was doing was any good I’d have become successful by now, after all, I am 32. It comes at me and I see how far I have to go, and feel so overburdened that I consider giving up entirely. My confidence executed by the dark side of my own drive to succeed. Am I worth it? Can I do this? Questions assail me, I lose track of my progress and my organization goes even more to shit than it already is.

I already find it remarkably difficult to balance my day job, my wrestling articles, drawing, working on scripts, and building a social media presence. New projects fall into my lap, stack up daily. I have skills I need to practice, software I pay for that I hardly use and feel discouraged when I practice and get bad results in. The last thing I need to do is beat myself up about the fact that I have too much going on for my mind to handle. But I do it anyways. Somehow I always come out the other side and get back on track.

I’m writing this because sometimes I say things in a way, online or otherwise, that might make me seem like I have so much figured out. But i don’t. I have determination and drive and a willingness to push through down times. I’m stubborn. I have failed a lot and so far none of it has been hard enough to keep me down. Memes and anecdotes tell me that this is the path towards success. One hundred failures before you get it right. Ten thousand hours. I feel like my time is limited, so I better clock them fast. Just gotta keep getting up, it is the only thing that has worked for me so far. I hope one day I can look back at this post, with a wall full of my works and properties behind me, and be proud of the path I took.

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#DiscoveringWrestling #019 – #TorontoWrestling reviews Ring of Honor at the Ted Reeve Arena

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The official event logo. Property of Ring of Honor.

May 7th 2017 I attended my fourth annual ROH/NJPW cross-promoted tour stop in Toronto. Each and every one held at the Ted Reeve Community Arena. Before we get to the actual review of the show, I wanted to take a brief moment to talk about the venue. I have, over the years, developed a love/hate relationship with the hockey arena. It holds a good amount of people, and the sight lines from pretty much anywhere in the venue are great, perfectly fine to enjoy the matches. But it’s also prone to traffic jams, immense lines that criss-cross and get confused amongst each other when trying to deal with the meet and greet and merch tables. But worst of all is the huge bottleneck created by the venue using the hockey arena’s penalty boxes to move people from the entrance and GA seating to the floor. It makes no sense and has created giant swirling pools of confused people all mobbing for one way out. Somehow, surprisingly, this year I didn’t encounter any of that, but it was a first specific hell. It was a first.

I had to watch the first few matches while standing in line to see Kenny Omega, because they had seriously oversold the photo op tickets for the ever increasing in popularity killer talent. They at least owned up to it and made certain that everyone who had spent hard earned Canadian dollars got their autographs. I kinda felt sorry for the amazing Japanese talent. My friend and I both got through the line for one of my favourite stars, Hirooki Goto, in literally 0 seconds. No one was lined up for him. Naito had a good long line, but other than him only Kenny had a line. And his dwarfed everyone else put together.

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Here’s that picture I had to wait in the longest line for. Totally worth it!

I was lucky enough, while waiting in line with my friend who wanted a group shot with Los Ingobernables de Japon, to have a nice little moment with KUSHIDA. Naito’s line extended to a point where I was standing in front of KUSHIDA. I was rearranging my stuff, I was getting my camera ready and placed my Wrestle Kingdom 11 programme down in such a way that it caught his eye. KUSHIDA looked at me and asked, simply, “Internet?” while pointing at my programme. I smiled, laughed a bit and said “No. Tokyo.” His face lit up and he started asking me about which hotel I stayed at, like he was half-excited to hear about a Canadian travelling to Wrestle Kingdom, and half like he wanted to make certain i really stayed in Tokyo. I stumbled through mispronouncing the name of the Shiodome hotel where I stayed and eventually he smiled, pronounced it properly and I thanked him for the correction. It was a little throwaway moment, but it was me connecting with him on a very human, equal level. I loved it.

Okay, okay. Enough of that. Time to get to the matches.

Match 0: The Fraternity (Channing Decker + Trent Gibson) vs. Cheeseburger + Will Ferrara

The match started with The Fraternity, definitely getting face heat as local talent, doing their usual beer shenanigans. This resulted in Cheeseburger spitting beer in one of their faces to kick off the match. The match was solidly built on some back and forth exchanges, presenting The Fraternity boys as on equal ground with the visiting ROH talent. Cheeseburger’s underdog personality really gets the crowd going and he even hits a nice dive to the outside. The Fraternity heel it up, faking tags and isolating Cheeseburger as their target. They nail some solid offense, including their “Eiffel Tower” double elbow drop (that’s an immature sex joke, right there). Burger does solid underdog work, using The two members of the Fraternity against each other, but they almost get the win over him anyways. Ferrara comes in for the save and Cheeseburger gets the win with the Shotei.

Post match Ferrara gets on the stick and we find out that he and Cheeseburger will be chasing tag-team gold in ROH. That’s an underdog quest right there, I bet the belts are heavier then Cheeseburger.

Grade: C
Match 1: The Rebellion (Caprice Coleman + Rhett Titus) vs. Motor City Machine Guns (Alex Shelley + Chris Sabin)

The match started off very fast, It headed outside almost immediately, and coincidentally, entirely out of my view. From the echoing crashes I could tell they were doing a lot of ring barricade spots. When they did get back in the ring it was a pretty standard face vs heel tag team match, with the MCMG doing their most loved vintage spots. The rebellion came out on top out of nowhere, getting the victory in a moment I looked away due to general disinterest in the match. I just don’t like Rhett Titus or Caprice Coleman all that much.

Grade: C
Match 2: Hirooki Goto vs. Shane Taylor

The match starts out mostly with hard hitting strikes, presenting both men on mostly equal footing. Huge lariats and forearms traded back and forth. Taylor hits a huge splash and Goto kicks out of it, only to wind up eating a huge amount of Taylor’s plentiful posterior in the corner. Goto comes back with the GTR following a huge headbutt and fireman’s carry flipped into a neckbreaker over his knee.

Grade: B-
Match 3: CHAOS (Trent Beretta, Rocky Romero, and Gedo) vs. Dalton Castle and The Boys

The match starts with Rocky and Dalton in the ring, but he doesn’t want to lock up with the Party Peacock, so he tags in Trent, who likewise wants nothing of Castle and tags in Gedo. Castle does his Peacock pose and Gedo wants absolutely none of it, but RPG VICE jump off of the apron, unwilling to get back in with the bizarre and brazen Dalton Castle. So Gedo does the only reasonable thing, he imitates Castle and they have a pose off… until Gedo decks him.

Now the match kicks into gear, with the crowd in good spirits. There’s a fracas and Dalton clears the ring. CHAOS go to leave, fed up with the weirdness of Castle’s faction, but the boys chase them down and they rawl back to the ring, CHAOS in control, as Dalton waits. After brawling on the outside for a while, CHAOS isolate one of the boys and work him over. The other boy tries to jump in and Romero hits the Forever Clothesline. Then, with Dalton growing impatient on the outside, RPG VICE hit their trademark spots, making certain to work a good bit of comedy in amongst the athleticism.

Dalton distracts the ref and the Boys use twin magic to get a fresh man in so that Dalton can get the hot tag. He starts cleaning house, but eats double knees from RPG VICE. However, it is not enough to keep him down and Dalton is back in it, nails everyone with German Suplexes and hits the Bangarang on Gedo to win.

Grade: B
Match 4: Punishment Martinez vs. Hangman Page vs. Bully Ray

Crowd doesn’t think much of the entrants until Bully Ray is announced, then there is uproarious ovation. He gets on the mic, gets a good cheap ROH pop, says he wants to adhere to the code of honor… but no one else wants to shake hands. Page jumps him before the bell but Bully Ray dips into his bag of classic mannerisms and clears out the ring. It’s short lived success as Page and Martinez work together for a while to try and dominate the ring veteran. The alliance breaks down and Page gets really impressive as he catches Martinez out of the air with a big move. Completely unexpected and highlights why Hangman Page is somehow wrestling’s best kept secret. He’s so good but no one seems to care.

Page and Martinez do some good work outside the ring. Back in the ring afterwards Bully and Page work together for a moment, and Bully calls for “the tables” but page superkicks him and nearly secures himself the victory. Page gets another near fall on Martinez off of his ever improving flipping clothesline. Martinez kicks out and winds up chokeslamming everyone except the referee, but it’s Bully with the win off of a Bubba Bomb to Page.

Grade: B
Match 5: Will Ospreay vs Cody

Cody opens the match with a slap to Ospreay’s face, setting te tone of the match that would follow. They play a game of one-ups-manship, taking turns disrespecting each other and showing off in the early stages of this match. Ospreay even gets the chance to tie Cody up in a nice full body submission hold, reminding us that he can do more than flip around and shoot himself into works.

As the match develops Cody gains control, and The American Nightmare grinds away at Ospreay. He repeatedly thwarts Ospreay’s attempts to make a comeback. If Cody weren’t so beloved, this would have gotten him some good heel heat. Ospreay of course gets the babyface comeback, dumping Cody hard with a move I don’t think I’ve ever seen before. He follows it closely with a beautiful Spiral Tap-like dive but doesn’t secure the three count.

The match builds to a close with a huge sequence that teases the Cross Rhodes, but Cody can’t hit his big finish and Ospreay looks to take control by using his speed and agility. In short, Will flips a bunch. Cody gets the win off of an out-of-nowhere pursuit Disaster Kick that catches Ospreay out of mid air  as he springboards off the turnbuckle, followed by a Cross Rhodes for good measure. This match genuinely surprised me with its finishing sequence.

Grade: B+
Match 6: The Kingdom (Matt Taven + Vinny Marseglia) vs. Los Ingobernables de Japon (Tetsuya Naito + BUSHI)

Taven on the stick is better than he is in the ring. Before LIJ even have the opportunity to come down to the ring, Taven gets on the mic and cuts a good heel promo, getting cheap heat by ripping on local sports teams, insulting the fragile egos of hundreds in attendance. The crowd reacts vigorously and he lets them. He stands silent after cutting a remark and the crowd builds to a ravenous chant of “Shut the Fuck Up!”. Taven lifts the mic back to his mouth and delivers the death blow, “I’m not even talking!”.

Once LIJ are in the ring, The Kingdom jump the opposition to get the match started. They 2-on-1 Naito, who treats them like bitches and dumps them to the outside where BUSHI dives on them with alarming velocity. BUSHI absolutely wrecks them.

The Kingdom stay in control for a long while afterwards, working over BUSHI, but he makes a comeback and tags in Naito. Naito’s in like a ball of fire but the comeback is stuffed when his corner outside-in dropkick spot is stuffed. The match builds the audience’s frustration as The Kingdom keep stuffing LIJ’s comeback attempts. That is until BUSHI mists Vinnie out of midair Naito gets in a dick kick and Destino for the win. Sadly a key standout moment in this match was Matt Taven badly and obviously botching a powerbomb.

Grade: B
Match 7: Silas Young + The Beer City Bruiser vs. Los Ingobernables de Japon (EVIL + SANADA) vs. The Briscoe Brothers (Mark + Jay Briscoe)

Mark and EVIL start off in the ring, but before they can even lock-up Silas blind tags EVIL. This sets a bit of a trend for the match where Silas and the Bruiser are the biggest antagonists in the match. Silas and mark engage in some cool chain wrestling and Silas executes a beautiful bridge escape at the end of the sequence. He’s seriously better than people give him credit for. Each man tags in his partner and Jay Briscoe and the Beer City Bruiser start getting into it when EVIL blind tags the Bruiser. Things again start to get going between EVIL and Jay when the Bruiser blind tags EVIL. I’m seeing a pattern here. With LIJ relegated to the apron, the Beer City Bruiser drops huge moves on jay Briscoe. He and Silas Young maintain control, even after Mark tags in, demolishing him.

Jay gets in and he clears the ring out, there’s a fracas and at the end its SANADA against Jay. SANADA ties him up into a ball and drop kicks him hard, looking to take control, but the Briscoes turn the situation around. They clear everyone out of the ring again and Mark hits a solid brainbuster on EVIL for a close 2 count. Multi-man shenanigans ensue and Beer City comes down on Mark with a gigantic Frog Splash, but SANADA breaks up the pin attempt. Then the match suddenly kicks into high gear, everyone is in and hitting everyone else with signature spots and big moves, the crowd goes wild. It all happened so fast I couldn’t note all the individual moments. Everyone spills outside in hectic, exciting madness and then the Beer City Bruiser just crushes everyone with a huge flip cannonball off of the apron. The Briscoes pick up the win with a neckbreaker/Froggybow combo.

Grade: B+
Match 8: KUSHIDA vs. Jay Lethal

Lightning-speed chain wrestling between the two men starts the match. Both men look great and are depicted evenly, each moving as fast as they can and mirroring each other to try and take the advantage and show up their opposition. They play a game of chicken with suicide dives, with jay eventually wrecking KUSHIDA who is out until the count of 19. Lethal gains, and maintains, control of the match with a series of nasty backbreakers. Both men look good during this part of the match, showing creative offense, but Lethal maintains firm control by going back to the backbreakers, clubbing blows to the back, and submissions. Lethal works over KUSHIDA like he were a technically gifted brawler heel to KUSHIDA’s babyface.

Lethal maintains control until KUSHIDA reverses a top-rope move into a combination submission and slam from the top. Jay goes for the Lethal Injection to try and put an end to KUSHIDA’s comeback but gets caught out of the air in a cross armbreaker. KUSHIDA switches arms but eventually Jay reverses the hold and transitions into a Figure-4 Leglock of his own. Lethal catches KUSHIDA with a big powerbomb and goes for his Hail to the King, only to be caught out of mid-air again in another cross arm breaker. Lethal escapes and winds up hitting a surprise cutter. It seems like Jay Lethal is in contol again, when KUSHIDA hits him with the Lethal Injection and transitions into the Hover Board Lock, but Lethal escapes.

KUSHIDA gets a huge Pele Kick and DDT to set up the finish, where he gets the win on Jay Lethal with a Small Package Driver. I have never before seen KUSHIDA use this move, myself, and it is one of my favourite moves in recent years. Looks vicious and also goes immediately into a pinning predicament. I adored this match but the crowd, for some reason, seemed oddly dead and rather disrespectful throughout.

Grade: A
Match 9: Hiroshi Tanahashi + The Addiction (Christopher Daniels + Kazarian) vs. The Elite (Kenny Omega, Matt Jackson, Nick Jackson)

The match starts off with Matt Jackson and the ROH World Champion Christopher Daniels in the ring. Matt disrespects the champ by Too Sweet-ing him in the eye, but the tables are quickly turned on him and he gets Too Sweet-ed himself, right in the eye, from each member of the face team. Matt scrambles out and Nick Jackson is in against Kazarian. Nick goes into his usual shenanigans, crotch chopping and telling Kazarian to suck it. They both put on a good display of agility. Then Tanahashi tags in and demands Kenny tag in too. Kenny gets in the ring, but instead of a sporting contest with Tanahashi, The Elite all rush over and jump their opposition en masse.

The Elite take advantage of the opportunity to do a 3-on-1 beat down but it plays for comedy a tonne, instead of serious violence. They tease the Terminator dive with all three members of The Elite, but they are interrupted. Then everyone takes a turn at trying to attack everyone else but they all miss in a prolonged comedy spot. The Elite retake control after the gag, and this time they hit the full three-man Terminator dive. The match at this point has been hectic, fun, and irreverent. Crowd chanting gets The Elite to do their 1 Boot-2 Boots-4 Boots spot that we’ve recently seen them do in cam footage from their UK tour. Kazarian is in against Kenny but again The Elite use shenanigans aand absolutely wreck him with repeated superkicks as they keep propping him back up on the apron after each kick, then they finish their gag spot with a nice senton. Somehow, unbelievably, Kazarian kicks out and still has all his teeth.

Tanahashi is in again and grabs Matt Jackson, putting him into an abdominal stretch and strumming him like he’s a guitar. Somehow Tanahashi can’t put Matt away so they plop him down in the face team corner and use rapid tags in cycle to just stomp away at him. Not just one rotation of tags either, multiple full rotations of the entire team. The Addiction do a good string of team combo moves, followed by The Elite doing the same. Nick Jackson winds up in the ring alone, facing both Daniels and Kazarian. He cures The Addiction all by himself, string together a series of moves that handles both men with ease, and works in his signature spots as well. Tanahashi hits the ring and gets both of the Young Bucks with a double Dragon Screw but can’t capitalize because Kenny is back in the fray.

Kenny kills Tanahashi with a powerbomb. Then the ring is chaos and everyone gets big moves in succession and the crowd loves it. Kenny takes on Daniels and there’s some good back and forth between the two until Kenny murders everyone with Dragon Suplexes. Daniels is almost beaten by a triple Superkick from the entire Elite but kicks out. The faces regroup when Tanahashi comes in like a bolt of lightning and hits Omega with Slingblade, which Daniels follows with a nice Uranage, then Tanahashi hits the High Fly Flow and Daniels follows him with the Best Moonsault Ever… but Kenny kicks out! It erupts into craziness with dives to the outside and an Indytaker outside the ring as well. Tanahashi is wrecked by this. Matt Jackson and Kazarian go outside together in a nasty spill with a gross bump. The referee gets kicked and Cody storms the ring for some old fashioned interference, giving Kenny the opportunity to hit the One-Winged Angel on Christopher Daniels for the win.

Grade: A-

Overall, a really enjoyable show. Even with their huge roster shakeup and the online uncertainty and criticism of the brand, Ring of Honor continue to produce exciting evenings of professional wrestling. So long as they continue to run shows in Toronto, particularly ones where they take strong advantage of their international partnerships, I will continue to happily attend. I’d love to see them do a similar type of tour, but taking advantage of their partnership with CMLL.

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#NoLookingBack #017 – Plentiful Planning

I’ve been spending a good deal of time lately crafting a rigid structure for my current comic book project. This structure applies not only to the story I am telling, but also the logistics of how many pages it would be, and deadlines for when different pieces of the story have to be done to produce it the way I wanted, by when I want it.

I’ve written the overall plot at least 3 different times, moving from bullet point ideas to concept elaboration paragraphs to one draft design specifically to calculate page count estimates. Each time through I have enhanced, refined, and better applied the teachings I learned from Ty Templeton’s writing courses. It behooves me to understand and internalize the lessons I have available to me from the wonderful resources I have had made available to me. This project, while significantly lengthier, is built upon my understanding of his lessons which I have already put into practice by creating a spec script for his class. That experience taught me to trust his structures for telling engaging and exciting stories. It excites me to move through the five act structure and plot out the exact story beats and then build out, expanding to fill in the minutiae, the things that get you lost in the excitement so that the story doesn’t feel too obvious. It’s like a game, a puzzle I am solving, where my only goal is to one up myself and do a better job at hitting the targets I have in sight.

It’s not the easiest thing to do, and it almost works better when you are telling small stories with compact page counts. But that’s most likely my inexperience talking. I’ve many lessons to teach myself by practicing these skills, but I have recognized the benefit. I recognized the potential back when I first took part in my first class with Ty, but it wasn’t until I had completed my first script under his tutelage and gotten his feed back at the end of my third set of classes with him that I recognized how much his lessons had benefited me.

It’s late and I’ve had little sleep, but I am excited by the future I see for this project, and I am looking forward to hitting each milestone as I plan it out and execute it with clear understanding of my direction. It’s an evolving organism, a story at the phase before you have panels described and dialogue delicately drafted. I know that by the end of June I want every broad stroke planned and the prologue and first act penned to the very last word of dialogue. I have the tools to chase this down, organize it, and successfully execute it in a marketable fashion because of Ty.

If you’ve ever been interested in writing for a living, and you are in the Greater Toronto Area, I would highly recommend you take classes with Ty Templeton’s Comic Book Boot Camp. He helped me to reach over the threshold and really understand how to write a well-structured, exciting story.

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#DiscoveringWrestling #018 – A Muy Bien Addendum

So, last week I posted a quickly put together introduction to Hajime Ohara, as part of my efforts to promote the great wrestling that people aren’t aware of or aren’t paying attention to. I was lucky enough to receive some good feedback from different corners of the internet I shared it with. So, this week, we’re going to address some of the things that were brought to my attention.

First, it was brought to my attention that I mention “Muy Bien” a bunch but I never make it clear why I use the term. It’s simple, really. It is Hajime Ohara’s catchphrase. It’s on his trunks and his merch and he says it in promos.

But, why does a Japanese wrestler spout seemingly random Spanish? Well, this ties directly into another frequently brought up point! I didn’t go enough into Ohara’s history. In the interest of, as my intial article proclaimed, this being part of a brief introduction I’m not going to go into tremendous detail here. Just the big stuff.  He started his career under the tutelage of two legends of Lucha Libre, Ultimo Dragon and Skayde, and spent the first portion of his career in Mexico. Throughout the 2000s he worked for a plethora of promotions, across the globe: CMLL, Dradition, Toryumon Mexico, Nu Wrestling Evolution, HUSTLE, and Zero-1. During this time he held few titles but did have an impressive 291 day reign with the NWA International Jr Heavyweight title. He worked in a few of Tajiri’s short-lived promotions in the early 2010s before finding his home with Pro Wrestling NOAH in 2013. He held tag gold in the junior division twice with Kenoh, but his January 7th 2017 Korakuen Hall victory has provided him with his first singles reign in the company.

It was suggested that I should illustrate some of his backbreaker variants, which is quite difficult to do without having GIFs. In the future I will try to make GIFs. For now, I will try to describe my favourite variation, which is when he stars with his opponent iin a Fireman’s Carry position and then flips them over his head onto his knee in a sickening looking backbreaker. He does it with such speed and snappiness that the change of position makes it genuinely look more wild and dangerous than a regular backbreaker, even though the bump is essentially the same.

Okay, then, to top it off, here’s some more videos:

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#NoLookingBack #016 – Confidence is a hell of a Drug!

In the recent past I’ve developed confidence in myself in a way I have never before experienced as a visual artist. I now know that with dedication, patience, research, and tools I can draw pretty much anything. How well I do it, technically and aesthetically speaking, is just a matter of time.

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Looks like we have an old friend visiting again.

These pictures aren’t new to this article, but they are the most recent completed art that I have. Well, that isn’t associated with my secret project at least. I don’t have all that much to say about them other than that they are a whole set of leaps and bounds from where i used to be.

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I told you that El Aguila Ardiente would be back!

I’m looking forward to seeing where this takes me as i try to incorporate more of the elements and techniques I will need to draw comics into my art. I suffer from a lack of practice with perspective and drawing non-organic shapes in depth. I know that this doesn’t really say much. But it is a statement of my confidence in myself that grows, day by day, as i experiment and reignite my love of drawing. I know that, with time, I will succeed. Here’s hoping that it’s in time for me to make a career out of it.

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So, I know you don’t know me very well, but I fucking LOVE Sabaton!

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#DiscoveringWrestling #017 – Muy Bien! A brief introduction to Hajime Ohara

Until January 7th 2017 I was uninitiated into the ways of Muy Bien. I’ll admit to having a bias towards wanting to enjoy the show I was at. I sat on the hardcam bleachers in the legendary Korakuen Hall on my dream vacation, days removed from seeing Wrestle Kingdom 11, at a NOAH show. Thanks to the Fight Network and Mauro Ranallo, Pro Wrestling NOAH had been a powerful part of my indoctrination into the wonders of Puroresu. It was magical. Then Hajime Ohara fought Taiji Ishimori for the vacant GHC Jr Heavyweight championship.

I thought it at this event, and started reading it online afterwards, that Hajime Ohara is the New Messiah of the Backbreaker. This match was hard hitting, fast, crisp, and innovative. Ohara did things I have never seen before. He was quite exciting. Since then all of his title defenses have been solid entertainment and I find myself often imagining dream matches since the ever deepening number of inter-promotional relationships have come to light. With Impact Wrestling, AAA, and The Crash all partnered directly, or indirectly, with NOAH as of late, there is good opportunity for Ohara to have a wealth of diverse, interesting matches.

I’ll admit to having drifted away from NOAH for a long while after the death of Misawa, as many did. I regret it, but it had lost its heart for a while. During the whole muckaboo with Suzuki-Gun and NOAH’s very one-sided partnership with New Japan, Hajime Ohara performed admirably. I’m sad that I missed so much of his development in years past, but the wrestler he is now is a phenomenal, smooth performer. He is remarkably explosive, and this applies not just to the force he uses in his offense, but also his ability to suddenly burst forth with speed seemingly out of nowhere. This impressive, innovative, explosive performer is the culmination of Ohara’s thirteen year journey as a Pro-Wrestler, and I’m certain his rather impressive 11-3-0 MMA record has helped in how smooth and fluid his grappling is. Every single one of his wins came from submission.

With NOAH posturing for a rebirth, and putting on incredible title matches and solid shows on pretty much every card, Hajime Ohara sits at the cusp of a possible explosive year. He has all the tools he needs, and the landscape is primed for him to use them. These are the reasons I believe that he is someone whom, in 2017, you should discover for yourself. Get your eyes on him!

If you like this idea, of me writing not just about promotions and events but also spotlighting performers, please let me know. I would also appreciate any feedback you have about what I could say or do to help better present and provide valuable information to you.

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#NoLookingBack #015 – More #SketchbookAdventures than you can shake a stick at!

I’m having fun with the names of these articles. I gotta admit, I’ve been feeling pretty worn out. I’ve added so many new things to my day-to-day life that after being derailed by the faulty DVD I was in the midst of reviewing for last week’s aborted #DiscoveringWrestling I found it hard to get back on track. My momentum taken out of me by no fault of my own. But I let it get to me like it was my fault. But I’m not gonna stay down for too long. It isn’t productive. So I shifted focus. I knew I had to get something done that I could put here. This is fresh off the presses!

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It needs a bit more work! Always notice the errors, but recognize the distance you have travelled. This may not be great, but it’s leaps and bounds from where I was two years ago.

Other than this I have been working quite steadily on trying to get through the art for the first page of my comic. I had to choose a heavily detailed scene to start with. It is, however, proving to be a learning experience. the plot is almost fully structured. Starting with the art for the first page before the script is written is usually the direct opposite of how this goes, but it just sort of happened. It’ll be the only page drawn before the script is written. Hell, it may take as long for me to finish my script as it takes for me to finish this page.

I’m thinking of doing daily warm up sketches to try and get myself into drawing more often to speed my process along. I’m pretty excited about this project, and I know it will be fascinating and educational as an experience to complete it. I hope that it will be well received. It’s been a strange process getting to this point, with many ideas that have had to be aborted, stopped, relinquished or set-aside in the interim. I hope some day to find some redemption for these lost, miscreant ideas. It wasn’t their fault. But this project, this project is designed from the ground up to teach me, challenge me, and be completable.

I’m nervous. Wish me luck.

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#NoLookingBack #014 – #SketchbookAdventures Sneak Peek!

So, I’ve been slowing down on the sketching and adventuring with my art because I have been preparing a full page as a test for my ability to do a comic that I will host here. All my effort lately has been in slowly bringing this together. Adding details and elaborating on it.  I’m a ways off from being done, and I am still working on the pencils and building this bizarre world. So, I’m gonna give you a sneak peek at what is to come.

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You get absolutely no context. This is it. You may have some ideas what’s going on if you follow me on FaceBook.

This comic is a project designed to get me to be a better artist, to let me practice telling a story and challenging myself to draw new things. I don’t care if it looks great, as long as it gets better as i go on and draw more pages. Along with every page I will also talk about the challenges and successes I have while working on them.  Truly embracing my #NoLookingBack concept. Slowly but surely.

Do you have any feedback or questions? Please leave a comment here.

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