#DiscoveringWrestling #012 – Hunan Hustle! MKW Championship Match!

This latest episode of Middle Kingdom Wrestling is short and sweet, with only one match. The unusually different video quality and one match only format comes as the result of unexpected changes needing to be adapted to and, for a title change that was put together on the fly, it performs admirably amongst all the difficulties. But if any company wants to thrive in the world of Pro-Wrestling it will have to adapt and overcome adversity, so here’s to you, MKW! I hope to see this belt defended in many future matches, last minute swerves or not!

Match 1: MKW Championship Match – Dalton Bragg (c) vs. “The Selfie King” Hong Wan

Dalton Bragg plays the heel role during his entrance for what appears to be the first time in his tenure with the company, trash talking fans who seem to be engaged with, but not understand, what he is saying. The match starts out as a chop-fest, because, after a match the previous day, Bragg knew the audience would be hot for it, amongst, I’m certain, other reasons. Chop chop chop it goes, Bragg selling them like they’re red hot knives slammed against his chest. The match keeps up on these chops and slaps for a long while, as even after Dalton Bragg regains control he goes around outside the ring slapping the back of Hong Wan up close in the audience’s face.

Speaking of the audience, attendance at this outdoor match was phenomenal. The ring is surrounded by a mob of people. This is the first time that MKW have seemed legitimately impressive in a crowd-drawing manner on camera. It made for a professional, big fight feel even amidst the lower quality of camera work and the unpredictable lighting.

As the match moves on, Hong Wan hits a nice German Suplex, proving that his repertoire of moves is only getting bigger and his execution tighter. Indeed, one of my notes for writing this review read simply “surprisingly diverse set of moves overall“, and that type of unpredictability, tied to ever improving quality of execution, is how you attract the wrestling fan as opposed to the sports entertainment fan. Seeing as how Adrian Gomez, the owner and operator of Middle Kingdom Wrestling, values the golden days of Ring of Honor, it seems like a safe bet that he wants to run a fun wrestling company, and attract that audience as opposed to otherwise.

Bragg has a good moment with a monkey flip in the match, but I would have liked to see him give Selfie King more air on the move. A great monkey flip is a surprising thing of beauty. While Hong Wan undoubtedly gets better with every match he has, and his career is so young he has plenty of room to grow, it would be unfair of me to not mention that Bragg has improved too. In this match he hits his two signature moves, and while the speed on rotation of his kicks could be better, his fluidity on performing the Float-Over DDT is much improved over other times I have seen him do it. If he can continue to ramp up the speed at which he performs he’ll open doors for himself for certain.

The match builds to a close and Selfie King hits Dalton Bragg with a nice Samoan Drop. He follows it up with a standing Moonsault that’s all knees on Dalton’s chest and gets the pinfall. Folks, you have your new Middle Kingdom Wrestling champion, “The Selfie King” Hong Wan! Sadly, for all he has been brilliant at his gimmick throughout his other matches, the Selfie King fails to follow up his win with an in-ring selfie celebration with his gold.

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But he certainly has taken MANY since them! Doing that gimmick proud!

Overall the match was a bit slow, but there were no glaring errors and it flowed nicely, despite the bizarre camera edits and lower quality footage. The commentary continues to get better, and I think I’ve settled on this guy as the voice of MKW. I’m certain that with more practice he’ll certainly get better. It would go a long way for him to learn the names of more moves and to be prepped in advance for what to call certain things.

Grade: B-

Do you have any feedback or questions? Please leave a comment here.

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#DiscoveringWrestling #005 – The Arrogant Atheist Speaks: An interview with Dalton Bragg

This past week I had the opportunity to do a quick interview session with Dalton Bragg, the bombastic American wrestler who had the unique honour of being the first ever MKW Champion, to better understand who he is and what the Chinese wrestling scene is truly like, from a competitor’s perspective. His answers were sometimes brazen, showing Bragg truly lives up to his moniker as The Arrogant Atheist, but were also informative and enlightening.

NC: Why compete in China? What drove your decision to compete in such a “fresh” territory?

DB: After I was unfairly ousted from Mid-South Wrestling Alliance in Oklahoma, I decided to reflect on my career. I had wrestled in various states, spreading the good word of atheism and demonstrating what wrestling truly looks like… But something was missing. I was never able to reach the top of a promotion. I wasn’t receiving the recognition I knew I deserved. So Dalton Bragg decided to go to one of the only places in the world that hadn’t been exposed to wrestling. A place that would appreciate and not demonize an atheist. Dalton Bragg went to China to establish professional wrestling where no other wrestler or promotion had ever been able to. I decided China would be the best place to refocus my career and wrestling style to see what works in the eyes of people who have no experience with wrestling. It was a chance for me to evolve my wrestling style… So that when I return to the US, I will be unique and unpredictable.

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How would you rate this on the Muta-Meter?

NC: What does it mean to you to be the first ever Middle Kingdom Wrestling champion?

DB: Being the first ever MKW Champion is a long overdue acknowledgment of my greatness. For too long I have been overlooked and under appreciated. Becoming MKW Champion was an inevitability, and it’s no surprise that my reign has lasted well over 500 days.

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Bragg-ing about his victory.

NC: What is it like wrestling in front of a Chinese audience versus wrestling in front of an American audience?

DB: The difference is stark. An American audience demonizes and hates me from the moment they announce The Arrogant Atheist’s arrival. The Chinese audience sat in awe of my greatness. They soaked in the feast of my appearance with their eyes quietly and respected the spectacle of the most amazing wrestler they had ever and will ever witness. An American audience would yell at me, tell me I suck after I had just nailed a perfectly executed springboard code breaker… A Chinese audience gasped and tried to pick their jaws up off the floor. An American audience would shout death threats at me after I won… A Chinese audience would beg me for a photo

NC: Do you change your style drastically in China versus in America?

DB: The entire purpose of going to China was to evolve my style. It was difficult to adjust to the new style of competition Chinese wrestlers offered. But it certainly made me a better wrestler. Being able to adjust to different styles, different levels of talent is an important skill in this business and it’s one I mastered in my time in China.

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Superkick! Isn’t that gimmick infringement?

NC: What made you want to be a Pro-Wrestler?

DB: There was no one moment that made me want to be a wrestler. I was born to do it. This business shaped and molded me. I don’t even remember my past life. The first day I stepped into a ring was the day Dalton Bragg was born. I live for this industry and for better or worse, wrestling is what I am until I die. Being a wrestler is not a matter of “want” to me… It’s simply all I am.

NC: Cagematch.net lists on their bio for you that you were trained in part by Jerry Lynn and Mick Foley, is that true? What was the most important lesson each man taught you?

DB: Jerry Lynn taught me how to throw a beautiful arm drag. Lynn was a classy guy and I wish I had gotten more time with him. Mick Foley taught me less about actual moves and more about in ring psychology. I’ll never forget him explaining to me how pro wrestling is like porn. “You save the money shot for the end.” Foley taught me the why, instead of the how. It was an honor to learn from one of the only people who[se] body can withstand as much punishment as mine.

Also, for the record: Mick Foley is one of the nicest people you will ever meet in the pro-wrestling business.

NC: What stands out to you in regards to how a Chinese audience engages with Pro-Wrestling?

DB: As I mentioned, the Chinese are very new to wrestling. They were often confused by it but always impressed. I put a lot of work into connecting with that audience and showing them how to be a part of the show. In wrestling, the audience is very much a living aspect of what we do and the Chinese audience is like a baby learning to walk and talk. They’re learning when to high five the wrestlers, and how to interact with the show.

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They say he’s cocky, but does he back it up?

NC: What stands out to you in regards to how Chinese Pro-Wrestlers approach Pro-Wrestling?

DB: This is easy. With the exception of only one Chinese wrestler in all of China, Chinese wrestlers are nothing more than fans, putting on stretchy pants and pretending to be wrestlers. They are inexperienced and have this false sense of professionalism. The worst example is The Slam. He is a self-trained moron who would be considered nothing more than a “yarder” in the states. Buying a title belt online doesn’t make you a champion. Coming out to Goldberg’s music doesn’t make you Goldberg. And just because you have a ring, doesn’t mean you know how to wrestle. Other Chinese wrestlers are inexperienced and have a long way to go. I worry about them because many of them are not being trained by an adequate instructor. The only Chinese wrestler worthy of being called a pro-wrestler is The Selfie King, Hong Wan. That kid is young and a bit inexperienced, but he gets the business. If he sticks with it, he will be great. It was a true honor to share a ring with him.

NC: What is your favourite match from your time in China so far?

DB: Obviously my favorite match is the moment I became the first ever MKW Champion. I will forever be etched in Chinese history as the man who beat 3 men in two days, overcame an insane man dislocating my elbow moments before my title match, defeating a fresh opponent who hadn’t wrestled in the same tournament… And still finding a way to achieve my first major championship. Not to mention my place in world history as a member of the first ever pro wrestling match to be filmed in virtual reality. Dalton Bragg vs Voodoo will always mean a lot to me.

NC: What do you see as the future of Pro-Wrestling in China?

DB: The Chinese wrestling scene starts and ends with MKW. It will go as far as promoter Adrian Gomez is willing to take it. They still have a lot of work they need to do like most promotions… but I think they have a good group of guys and a good vision. Hopefully Adrian is better able to utilize the skills of those around him in the future. If he can delegate and give up some of his control over certain aspects of MKW, I think MKW will flourish and I’m confident he will be more successful than any of the rival “promotions” trying to run in China. That being said, I don’t know that wrestling will ever take off in the same way it has in America or Mexico or Japan. I don’t think the culture will accept it the same way. But that doesn’t mean it isn’t profitable or worth pursuing.

NC: Why do you think that the Chinese won’t take to Pro-Wrestling to the same degree that Japan, Mexico, and America have?

DB: I think the Japanese, Mexican and American scenes were cultivated from decades of building up a high quality product that became a major aspect of the local culture. The Chinese wrestling scene won’t have decades before the WWE monopolizes the product in the country and makes competition and growth impossible. Wrestling will only be as big as WWE decided it will be in China. Chinese fans demand a certain amount of perfection in their entertainment… And other products won’t be able to compare to the WWE’s production value. Chinese fans won’t tolerate an inferior product and won’t give other promotions a chance to develop.

To elaborate on what I said about the Chinese audience demanding perfection, I mean that they appreciate the look over the substance. A Chinese audience will be more impressed with the high quality production that the WWE brings, with proper venues, a beautiful ring, beautiful people, bright lights, huge pyrotechnics, etc… than they will [be] with the high quality wrestling you can find in the US, Japan and/or Mexico. A Chinese audience wouldn’t even know to be impressed with a 630 splash because they didn’t grow up watching the sport evolve from a time when scoop slams and suplex[es] were impressive finishers. But they will certainly know enough to recognize a mistake… And in my experience, the Chinese culture isn’t as forgiving of mistakes when it comes to entertainment.

NC: What do you want your legacy in Chinese Pro-Wrestling to be?

DB: I think it’s obvious what my legacy is. Dalton Bragg will always be remembered in Chinese lore as the man who brought pro wrestling to the people of China. Before I went to China, there was no attention being given to that country. Then I help MKW get some attention, and before you know it, the WWE is swooping in and trying to monopolize the industry there. If you think it’s coincidence that they waited until there was an upstart promotion showing promise, you’re an idiot. I will take credit for wherever Pro-Wrestling goes in China.

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What am I looking at?

NC: When will we see Dalton Bragg versus El Dulce Hombre?

DB: I discovered El Dulce Hombre [, known as Candy Brother in MKW,] in Oklahoma and I’ve worked to get him booked wherever I go to help him get noticed. But until he starts winning some matches, we can’t pretend he’s on my level. He has promise, and fans love him… But at the end of the day we all know who the better worker is.

 

Thank you for reading this and don’t forget to ask questions, bookmark this page, and follow me on Twitter, and FaceBook, to make certain you are always #DiscoveringWrestling

#DiscoveringWrestling #004 – International Expeditions (Review of MKW Thailand Edition Episode 1)

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Cool Poster, Guys!

Just before the end of 2016 Middle Kingdom Wrestling participated in their biggest venture to date, a co-promoted tour  in Thailand with Kingdom Wrestling Federation, a local Thai group, and Association Bitteroise de Catch, out of France, dubbed WrestleStar III. These shows, for my interest in shining a light on underrepresented places in international Pro-Wrestling, seemed like the perfect, exciting opportunity to see what these countries, and companies, have to offer.

From the very start of this episode there are some problems that need to be addressed that have nothing to do with the in-ring performances. The two most glaring of these problems are the inconsistent video quality and the commentary. The video quality differs heavily between the handheld cameras filming at ringside, which look clean and sharp, and the arena’s (I’m assuming it’s the arena’s) fixed position camera. It’s literally the difference between HD and my old rabbit-ears antenna TV from childhood. The cuts between these cameras are jarring and distract from the flow of the action, making me think that my computer was buffering something bad until I recognized the pattern. Genuinely, if I had had the reigns in editing and had seen the quality difference, I’d have left all of the hard cam footage on the floor. It sullies the product.

Sadly, that’s not where MKW finish undercutting their own product .Their commentary is atrocious. The unnamed commentator sounds bored and without any genuine interest in the product, and whether or not he actually cares is irrelevant when he’s putting me to sleep.  The only time he sounds somewhat alive is when he’s plugging MKW’s YouTube, FaceBook, and Twitter pages. Which in the 20 minutes or so of actual show he does far too often. When I’m genuinely wishing I was listening to Michael Cole on commentary instead of you, well, you’re doing something very wrong.

That being said, if you can get past the video and commentary problems, you do have some wrestling here to watch. So let’s talk about the matches.

Match 1: MKW Championship #1 Contender’s  Triple Threat Match: Candy Brother vs. Mikey Rawaz vs. “The Selfie King” Hong Wan

So, let’s address one non-wrestling issue with this match before we get into the meat of the review, they spell “Triple” incorrectly. It’s such a basic, simple, avoidable error that really makes the product feel less important, less professional, than I know the people behind it want it to be seen as. There’s a lot of quality issues that a truly young promotion like MKW can be forgiven for, and they’re likely going to catch a lot more flak from reviewers and commentators as they grow because they have chosen to film and put everything they do on YouTube, but spelling errors take literally any basic spell check function to avoid.

Sadly the first thing you’ll notice as the competitors take to the ring is that the venue they’re in is empty. Not literally empty, but the audience is so small that I worry about the costs of them putting on this show and I’m not even financially involved.  The venue itself looks so much better than the usual gyms and bars that MKW has filmed its fights in, and if it were even one quarter full it would have looked super impressive.

The match itself starts with some awkward clothesline and dropkick exchanges where each participant gets their shot in on someone else. I say “awkward” not because it doesn’t make sense from a psychology perspective, but because there is a lot of uncertainty in the ring. They go for some exchanges and there are some awkward spills to the apron before they get to their first big spot, a tower of doom-esque  Vertical Suplex/Side Russian Leg Sweep combination. In theory it’s a cool idea, and one I personally haven’t seen before, but the synchronization and force just wasn’t there and leaves the moment lacking in intensity. I can’t tell who was responsible for this, but it does fall on the Candy Brother/Mikey Rawaz side of the equation.

The match plays out with only a few special moments thereafter. After being Irish whipped into the corner, Candy Brother takes one of the worst looking corner bumps I have ever seen. I couldn’t tell if he was trying what he was doing for the first time or the construction of the Muay Thai ring was working against the performers, but either way it looked really off. Candy Brother actually has a few shining moments in the match amidst all the uncertainty of motion. He makes me laugh out loud while selling a hit where he rolls on the ground and says “My face, it hurts SO bad!”, even just typing it makes me chuckle, and he gets both of his opponents into an interesting submission hold I can only describe as a Double PALO Special. Warsman would be proud.

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If you don’t love Kinnikuman, you’re a bad person!

Mikey Rawaz spends almost the entirety of the match making me groan, he is simply the least skilled man in the match, and if he isn’t then he’s not trying hard to impress the audience.  His timing and movements lack any crispness or fluidity. He had one good spot when the three men were setting up for the classic Superplex/Powerbomb Tower of Doom where he had Hong Wan and Candy Brother stacked up in such a way that when he punched Wan he would knock his head into Candy Brother’s junk, hurting both men at once. It was a clever spot.

“The Selfie King” Hong Wan shines as the star in this match, and is certainly booked to look that way as well. In both the Tower of Doom styled moments he was the one who delivered the crucial attack that damaged both of his opponents. Throughout the match he does his best to get the minimal crowd in attendance to clap and get hyped for the action in the match, but it almost feels like Thailand doesn’t get Pro-Wrestling yet, as the crowd really fails to respond in a meaningful way. It also pretty much fails to be a crowd. Nevertheless, Hong Wan works his “Selfie King” gimmick like a champ, pausing after the momentous Tower of Doom spot to take selfies with the carnage in the background behind him. I wish the MKW twitter account would post these pictures. It’d certainly give them more content to upload, and likely help in boosting visibility of the product on social media.

Hong Wan is also, as you might have guessed, the inevitable winner of the match, nailing a rather nice Frog Splash on Candy Brother to earn himself the #1 Contender spot for the MKW Championship.  I’m certain he’ll have the match of his young career against the far more veteran Dalton Bragg.

Winner: “The Selfie King” Hong Wan

Match Rating:  C-

 

Match 2: ABC Tag-Team Championship Match: Ash Silva and Jason Wang (challengers) vs. Tony Trivaldo and Claude Roca (champions)

As the two teams enter the first thing I was struck with was that it looked like the audience got smaller, which certainly is a shame because this match features a truly interesting mix of talent. Claude Roca, a veritable grandfather, is the most skilled man on this show. The announcer says he has 50 years of wrestling experience and is in his 70s, and he moves better than some people I’ve seen in the peak of their physical prowess under 30. My usual go-to for researching grapplers, Cagematch, only tracks him back to 2006 but I refuse to believe that a man this old started that recently and hasn’t gotten cripplingly hurt. He moves about like an old school European grappler and his offense genuinely has an old timey feel, in a good way. He’s mystifyingly good and to quote the comment on his Cagematch page, ““being old and still in top condition” is a gimmick of its own.

Claude Roca and Ash Silva start off the bout against each other and the elder grappler looks great as he ties up his young opponent and flips him about. Likely working to let the older man look good and keep him from taking too many bumps, Roca stays in control and dominant for his team. Once the big man, Tony Trivaldo, is tagged in for his team the inexperience of the MKW performers becomes a bit more evident as Silva slips awkwardly out of a body slam and hits a zig zag on the big man. This, from the movements made by the performers, was obviously supposed to be a fluid sequence but seems stuttered by the lack of polish in the transition. Both MKW’s and KWF’s talent on this episode in general need to work on smooth out their movements and looking more sure of themselves. Or, to put it more succinctly, they need to work on Body Agency and Shared Weight.

Jason Wang is tagged in after a failed pin attempt and shows a nice series of tight forearm shots on Trivaldo and even hoists the big man up for a really crisp looking Fisherman’s Suplex and a genuinely stiff looking running knee. Annoyingly we see a gaff here, where the running knee places Trivaldo on his back and far away from Ash Silva, who calls out to Wang for the tag and climbs the turnbuckle to jump into a splash on the big man. Trivaldo compensates for the distance by rolling oddly towards his opponents and sitting halfway up. The sequence does a lot of harm to the good will established thus far by the performers by breaking that suspension of disbelief that is crucial to the Art of Wrestling.

Trivaldo plays the big man role adequately in this match, taking down both of his opponents after some miscommunication between the partners. The impact of the moment is dulled by a ref who obviously is not aware that he is obstructing the flow of the match by standing directly between Trivaldo and the challengers.

Roca gets tagged in again and shows off that he can still take some awkward looking bumps during an exchange with Jason Wang, and then Ash Silva gets tagged back in and works up some good heel heat by laying into the old man with some mean looking kicks and headbutts. Roca generates instant “old man in peril” sympathy babyface heat during this segment which culminates in a fancy looking two-man monkey flip against both opponents freeing him up for the tag.

Trivaldo again plays a good big man off of a hot tag that leads to the conclusion of the match where he awkwardly picks up his geriatric companion and hurls him at Jason Wang for the pinning combination to retain their championship. The segment is punctuated by the most awkward echoing bang sound. Like they jacked up the volume on the impact in the audio file for the match to try and make it seem super intense on the final big moves.

Winners: Claude Roca and Tony Trivaldo

Match Rating: C

 

Conclusion

Overall a sufficiently entertaining show for MKW. If I weren’t already a wrestling fan, I don’t think this product would win me over to being one, but as a fan it is exciting to see the growth of the company and talent. Yet again Hong Wan has managed to improve his looks between seasons, getting new tights and looking leaner and more fit and hasn’t lost a step when it comes to milking his gimmick for all its worth. Jason Wang looks smoother than before and Ash Silva has had tremendous improvement since I watched him in the debut season. I don’t anticipate that in less than a year of me watching the product I will see the true evolution and definition of a uniquely  Chinese expression of Pro-Wrestling, but I can say that MKW is doing its damndest to lay the groundwork needed to build that upon and if these young men continue to improve at the pace they have already set then they may one day be spoken of in the way that people talk about El Santo and Antonio Inoki, as the men who came to be definitions of what it means to wrestle in their countries.

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#DiscoveringWrestling #001 – 5000 Years of Chinese History (MKW: Middle Kingdom Wrestling) Part 1

For a long while now, I’ve wanted to add my voice to the world of professional wrestling commentary, but I’ve never before understood what I had to offer, or what I wanted to talk about. There are millions of voices out there chronicling the big leagues with fervor and unquestionable talent. I’m no Dave Meltzer, and don’t think I ever could be, and I could never dare compete with the comedic styling of Adam Blampied over on WhatCulture. I am, however, a passionate fan of this most unique of all performing arts, and my passions skew a little to the left of most of the mainstream coverage. So, I’m going to try and find the things that excite me the most and talk about that, and when necessary we’ll have to slide back up to the WWE for a moment or two.

Easily my favourite thing about pro-wrestling is how versatile it is as a medium, and how this has lead to various regions of the world honing and crafting unique interpretations of the art. These interpretations have gone on to influence each other, going through resurgences and disappearances, and hopped all over the globe creating new offshoots and hybrids as they interact with each other. In Japan you have the lauded Strong Style, known worldwide and heralded as the brainchild of Antonio Inoki, but alongside it you have Giant Baba’s King’s Road, Ultimo Dragon’s Lucharesu lineage (as the name implies, a Japanese derivative of Lucha Libre, Mexico’s vaunted addition to Pro-Wrestling), the Death Match scene, the revolutionary Joshi styles, and much, much more. Japan is a tiny country, and yet their output is so varied and innovative, because Pro-Wrestling is limitless. This diversity is found everywhere the art goes, and as time marches ever onward, so does Pro-Wrestling, finding itself in new areas it has never been before.

Even before the WWE’s #CWC (Cruiserweight Classic) announced its list of competitors, I had been on a hunt for information on what Pro-Wrestling was like in places that have yet to hit the global scene, and had come across the name of Hoho Lun, and a mainland Chinese organization he had done work for by the name of Middle Kingdom Wrestling. Pro-Wrestling in China is a hatchling, barely existing, and, in the future, MKW could be standing at the forefront of a national style, like NJPW in Japan. With the power of the internet we have an invaluable opportunity to get in on the ground floor and watch it happen, because they’ve made the exciting decision to put it all up on YouTube (the logistics of this are interesting, considering they operate out of mainland China).  Now, there are distinct Pros and Cons to their decision to get Chinese wrestling onto YouTube ASAP, and I’ll run down the Cons before we move on, because I’d like to focus on the Pros.

The camera work and production values are unique. This one will actually show up in the Pros as well, but it can be a Con. It’s not the smooth work you want, and it’s often many steps below the recordings done by North American indie shows, but between season one and season two, the quality improves a good deal. I’d wager that the biggest contributors to the poor quality are the cameras they are using. Numerous times when the action is in motion and the wrestlers and cameramen are moving about, the camera will go out of focus. This is obviously unintended, as I cannot imagine any wrestling promotion thinking, “Yes, let’s make it more difficult for our viewers to see what’s going on“.  It’s rough but overall this is forgivable. On literally their first show they filmed it and put it online. There are bound to be hiccups, and while they’re unavoidable, it didn’t at any point knock me completely out of enjoying the show.

The commentary is on the weird side, with “characters” rotating in and out between “episodes“. These “characters“, unless I am terribly mistaken, are all voiced by the same two people, and I could certainly do without that. Stability in the announcing team would be best, in my opinion, to add to the atmosphere of the shows. Some of the moves are called right, some aren’t. This is something that even the WWE can’t escape, unless Mauro Ranallo is on the mic (because he’s pretty much flawless). There’s room to grow on their commentary team. I didn’t hate them, like some commentators, but they just felt off. We’ll see how they go as more episodes air.

Y’know, the more I think of it, these Cons are all part of one problem in particular, and this is a problem that literally only doing more shows will cure: They’re green. The company is very young and, based on publicised data, nobody involved has a huge amount of experience in performing in their roles. It can’t be helped, and, most importantly, I can see the potential underneath it all. Some of their spots look awkward or overly telegraphed. It’s natural. I’ve seen that at small indie shows in North America all the time. Their booking is not particularly inspired, but they neither have the history of long-standing feuds nor the depth of roster needed for truly great wrestling booking. In their first season they put their brand-new belt on an American whom I’d never heard of before named Dalton Bragg, and it bothered me at first that they hadn’t put the belt on a native Chinese wrestler. Again, I can’t fault them for this decision. The local talent aren’t as experienced and when they are experienced, they were on loan from somewhere else. Furthermore, it seems Dalton has made MKW his home. He seems, rather surprisingly to me, to have a connection with the attendees. I expect that the numbers in attendance should grow as the shows continue. Hopefully they can get up to a regular touring schedule and draw a steady audience, cementing themselves as the premiere Chinese Pro-Wrestling group.

Now, from a position wherein I recognize that not everything they do will be great immediately, let’s talk about where the shows succeed, and where I see potential underneath the roughness. Remember that unique camera work I talked about? Well, here’s what’s good about it:  the camera seems to routinely luck its way into some really dramatic shots, such as when the massive King Michael is standing across the ring from his opponent, The Slam,  and the camera moves up from behind him to give the viewer a shot of his opponent that highlights their size difference (You can watch that video here ). Now, with the equipment and skill level involved, the effect is dampened a bit, but when I first watched it I knew that this could be done again and to great effect in the future, with more practice and better cameras.

While the image quality isn’t the best, and the production values are amateur, they do this nice slow-motion effect on the end of a match that really spices up their otherwise unremarkable presentation. It’s a little cheesy, and certainly wouldn’t be possible in a live broadcast, but it adds a unique flavour to their shows that I can’t say I have ever seen done before. Sure, some companies will do slow-mo replays, but these guys work that shit right into the match!

The talent in the ring varies, with some performers being rather special considering how recently they had started off in the business. Such as The Selfie King, whom I can honestly say has a great gimmick that represents a distinct portion of the Chinese zeitgeist. He plays up his gimmick throughout his matches, stopping to take selfies on the outside, exuding true heelish arrogance, and at one point he even lays down next to his defeated opponent and takes a selfie with him, staying true to his moniker. He shows some good development between the two seasons, bulking up, growing his hair out a bit, and getting some better ring gear. Then there’s a more veteran Chinese wrestler on the shows: The Slam, a man with one of the greatest ring names ever. The Slam is something like an energetic slightly-doughy Asian Goldberg who keeps a frenetic pace and looks crisp in every moment except for one, and that’s when it appeared he didn’t have all the muscle needed to deal with slamming the massive King Michael. I’d love to see The Slam put on some additional muscle-mass/definition and really look as great as I think he can. But he’s not really an MKW guy, as the announcers will routinely let you know. He’s a champ elsewhere (in reality, the champ of the group that MKW are partnering with to have access to a ring and put on these shows, a group which, if my facts are straight, was founded by The Slam). But I gotta say, the guy who hooked my attention the most, was a Taiwanese wrestler named LenBai, who feels like he understands the Strong Style concept very well, and finishes his matches with a move I can only describe as a Fisherman’s Death Valley Driver. He displayed a vicious streak out of nowhere during the first season, and a half-painted face that really connected with me and makes me want to see more of him. He draws on the mystique of characters like The Great Muta, and exhibits a solid understanding of the psychology involved in properly executing his gimmick.

wrestlers3-768x902Image originally from “Sino Smackdown” article on pigchina.com, link can be found at the bottom of the article.

This is, momentarily, where I’ll talk about the WWE. This year they have arranged for a showcase of global talent in the #CWC, Cruiserweight Classic, that is stunning to say the least. As I watched these matches and I listened to the commentary I began to understand something about the world of wrestling. It is ever evolving and parts of the world are being opened up to it by impassioned people who are seizing the opportunity to put their stamp, their own personal and national identity, on the Pro-Wrestling stage. Hoho Lun, who won his first round match in that esteemed tournament held by the big guys, founded the Hong Kong Pro-Wrestling Federation, and has been in both seasons of MKW TV on YouTube thus far. This young man brought Pro-Wrestling to his home. We in North America live in a part of the world with some of the deepest and richest roots for the industry, leading it in one very big, loud, shiny direction for a long while now as a new style percolates on the indie scene, with uncountable options to meet our needs and an established market for the medium. We cannot really fathom what it would be like to be part of the birth of it, but boy have I always wanted to see what it was like.

No matter what my, or your, concerns are with the quality of these shows, there is an undeniably interesting opportunity and a wealth of underlying potential  to Middle Kingdom Wrestling. Getting in at the beginning of an entire country, the most populous country in the world, discovering and engaging with Pro-Wrestling, authoring its own narrative in the grand history of this art, is an exciting prospect. Where will this go? What will Five-Thousand years of Chinese History do to Pro-Wrestling?

These are questions that I could never begin to guess at the answers to. I’ve studied Chinese history, both in school and in my leisure time, and have found myself lost in countless stories and cultural myths. Their pop culture has maintained strong roots to this history and mythology, with cinema genres that are uniquely Chinese captivating my attention for much of my life (Wuxia cinema is entrancing), and I can certainly see how I, as a western fan of their culture, would try to respectfully adapt their cultural uniqueness to Pro-Wrestling. However, it isn’t my place to do so and I am far more excited to see what their history, mythology, martial arts traditions, and unique perspectives on arts and entertainment will add to Pro-Wrestling when authored by their own hands, from their own minds. I’d wager that in the early years they will hew closely to styles and ideas imported from Japan and “the west” until they find their footing in the art form and then we will see them truly flourish, developing their own styles that are uniquely Chinese expressions of Pro-Wrestling. That is what I am looking forward to, and that is why we should all be keeping an eye on the Chinese Pro-Wrestling scene and Middle Kingdom Wrestling.

Come back next week for Part 2 of my coverage of Middle Kingdom Wrestling. I had the unique and exciting opportunity to interview Adrian Gomez, the man who founded MKW. .

If you’d like to watch all the MKW matches, head over and subscribe to their YouTube channel here, and for more information on the nascent state of Pro-Wrestling in China, there are some good articles from Forbes here and PIG China here. Middle Kingdom Wrestling’s website can be found here.