#TorontoWrestling at Impact Bound For Glory in… Ottawa?

Being a fan, and wanting the survival, of Impact wrestling over the last several years has been an interesting experience. It comes with a lot of recognizing flaws and trying to point out successes, often at the nasty end of belittling fans. The entire experience of Bound For Glory reflects that pattern, boiled down to a grimy, tangible, personal experience that was, in the end, more fun than foul… yet left something to be desired.

Arriving at the Aberdeen Pavilion the only indication that an event was occurring was the lights emanating from the large windows. There was no signage for where we should line up, no indication of how those who had purchased VIPs should separate themselves from the plebes like me in GA seats. Once inside the venue there were food stands set up and the facilities were porta-potties, all kept blocked from view by the black curtains that were set up for the live filming area. The setup inside of the filming area was very clean and crisp and I could tell immediately that it would look good on camera. Up until the moment I was in my seat there was a distinct air of disorganization and the sense that something second rate was right below the high-sheen finish.

Once in my seat I let that go and got excited to finally see the brand after oh-so-many years, regrettably that feeling would, at times, crawl back up to the surface during the event.

Match 1 – Trevor Lee (c) vs. Dezmond Xavier vs. Petey Williams vs. Sonjay Dutt vs. Matt Sydal vs. Garza Jr. – X Division Championship Match

This match suffered from being put on first. While, in theory, an exciting match like a 6-way X Division match could get a crowd pumped up, this one’s biggest flaw was that it was over too quick for me to really get invested in the ending. Both the X Division as a whole, and that Championship, deserve better than that feeling.

Dutt and Sydal opened us up with stereo moves and a near miss on Sydal’s standing moonsault. They set up some early match gag moments that see Trevor Lee on the receiving end of both a quartet of superkicks and of dropkicks. It was a moment of satisfaction that the division needed with the very peculiar booking the championship has received in recent months. Each man was given his chance to look good in the match, for what little time it had. Dezmond Xavier’s brilliant flippy stuff and Garza Jr’s headbutt stand out as particular moments of worth. Much of the match was built around Petey Williams looking for the Canadian Destroyer. He had received a remarkable pop upon his arrival and the crowd was hot for him to win. Sydal missed his Shooting Star Press to kick of the final sequence of action that culminated in Petey Williams hitting the Destroyer but having his win stolen by Trevor Lee, who shoves him out of the ring and takes the win, retaining his belt.

Grade: B

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Match 2 – Tyson Dux vs. Taiji Ishimori

The shame of this match is that it was designed, from the beginning, to be the backdrop for Laurel Van Ness to meander through the crowd as her “Hot Mess” gimmick. For those in attendance live it was a right distraction from two great performers having an earnest attempt at a short, quality match. To those at home, it was impossible to look away from Laurel as the cameras mobbed her as she went around. She plays her role very well, and the booking is certainly not within her direct control. She was doing the job they asked of her. It is simply unfortunate that they had to do this during the very limited screen time they had given over to showcasing both a local workhorse talent in Dux and their Japanese partner promotion’s often-champion in Ishimori, who was escorted to the ring by an official of the NOAH offices.

The match itself was pretty fun, even though I was not able to focus 100% on it. It started off immediately with both men putting their all into it, clearly aware of the truncated time and, I hope, advised in advance of the audience shenanigans they had to compete with. Ishimori put his speed and agility on display, executing feints and murderous foot stomps. Dux , as the bigger man, used size to his advantage and threw or grappled with Ishimori as the flow of the match dictated. Ishimori picked up the win with a lovely 450 Splash. Solid fun, but definitely too short for a meeting between men this good.

Grade: B-

After this match Alberto El Patron showed up and cut a “Go Home” heat generating promo about how Impact had abandoned him when he was under investigation for domestic abuse, and then he invoked his children. It was cringey and the audience wasn’t booing him because he was turning heel.

Match 3: Grado vs. Abyss – Grado Loses he Leaves the Country Monster’s Ball Match

This was an overbooked mess. A Monster’s Ball match, in and of itself, is already guaranteed to be spot heavy. This match doubled-down hard on it, having Laurel Van Ness do a run in to hit Grado with the Unprettier. This only prompted more run ins as Rosemary came down, misted LVN in the face, and then ate a chokeslam from Abyss. It felt remarkably forced and unfortunate. Match ended with Abyss hitting a particularly hard-working Grado with a Black Hole Slam on some barbed wire. Match was further marred by a premature bell being rang just before the ending, deflating any momentum that match had even further. I kind of want to see this match again, only without all the mess.

Grade: C+
Match 4 – Team AAA (El Hijo del Fantasma/Pagano/Texano Jr.) vs. Team Impact (EC3/Eddie Edwards/James Storm)

This was my personal favourite match of the night. It got a bunch of things right. It had a big event feeling from the very beginning. Team AAA felt like a big deal from the moment they made their entrance, were the first wrestlers on the card to really make an effort to work the crowd, and as the match built they were given a lot of opportunities to look good in the ring. The match, furthermore, had bits worked into it expressly designed to set up continuing story content as well. This is the kind of feud I would genuinely hope to see more of, in the future, with maybe an Impact vs. NOAH bout to come. I’ll admit to being biased towards anything that gets more international talent in front of my eyes, so this match and Impact’s present multi-promotion alliance are completely in my wheelhouse.

The story of the match is built, primarily, around two elements. The first is that Team AAA will cheat to gain the advantage when necessary, even though they are positioned very early on as incredibly capable combatants. the second is that EC3 refuses to tag in for his team, leaving Impact disadvantaged even further. Eddie Edwards took a good deal of the beatings in this match, even taking El Hijo del Fantasma’s finisher on the apron. James Storm gets the win with the Last Call on Pagano after EC3 finally tags in and gets a double low blow followed by the One-Percenter to set his partner up. There was a bit too much going on to properly pay attention to it all from a stationary live seat, and that’s really my only complaint. It was a fun match that let me see three Mexican stars, two storied Impact talent, and one Global Honoured Crown champion at the same time! Wow!

Grade: B+
Match 5: LAX (Santana and Ortiz) vs. OVE (Jake and Dave Crist) (c) – Impact Tag Team Championship 5150 Street Fight Match

The biggest problem I had with this match was that I was in attendance instead of watching it at home. From the sounds of it, a lot was going on. Regrettably it was almost all out of my view. The thrilling dive from the scaffolding was but a brief flicker of a man visible near the bleachers as he leapt, only to disappear behind the bleachers and leave me with only a tease of violence. Most of the ringside brawling, likewise, was on the opposite side of the ring and difficult to track and make sense of. I’ve been told it was a banging match by those who watched the stream. It’s a shame I can only say I saw about a quarter of the match clearly.

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What I was able to see was some pretty thrilling violence. Chairs collided with flesh in brilliant spectacle. Sami Callihan made his debut and the ensuing carnage was one of the most effective double turns of recent memory. OVE with the win after Callihan put Ortiz through a table with a piledriver off of the apron.

Grade: B-
Match 6 – Gail Kim vs. Allie vs. Sienna (c) – Impact Women’s Championship Match

A lot of people made a big deal about the fact that Gail Kim won this match. While I would have certainly made the opposite decision regarding the outcome of this match, I nevertheless was very happy to see Gail win. I loved Gail Kim’s push in her early time with TNA that proved to me something I had been wanting proved to me for a while, and that the big Connecticut company wasn’t giving me any of:  that women’s wrestling was just as good as men’s. I can’t help but think, in hindsight, that I’d have rated this match higher if Gail had gone out in a way that set up a new generation better, but I won’t begrudge her her moment. She’s given me too much.

The match started with Gail and Allie working together to beat down Sienna and, when Sienna would retreat from the ring, they would grapple with each other. They would, of course, resume their alliance when Sienna would return to the ring. This seemed to be working until Sienna cuts Allie off, catching her unawares. Sienna begins a comeback which sees her toss Allie with an Avalanche Fallaway Slam and nearly secure the pinfall on several occasions as she used her two opponents against each other. The ending came when Sienna was interrupted by Allie in her attempts to defeat Gail Kim. Sienna dumped Allie out of the ring with her AK-47 finisher but gets caught with an Eat Defeat off the top rope and Gail Kim caps off her career with a nice bookended championship victory.

Grade: B
Match 7 – Stephan Bonnar and Moose vs. Bobby Lashley and King Mo – Six Sides of Steel Cage Match

Many of my complaints about this show stem from heavy overbooking, turning personal vendettas and new rivalries alike into messes of tangled humanity. Herein, however, the story that built to this match warranted the interference that was to come. The MMA folks involved in the match, from Bonnar and Mo through every single member of American top Team that would interject themselves into the match all were willing to take bumps and put on a pro-wrestling spectacle.

The match kicked off as a fairly even exchange between the two teams that saw King Mo repeatedly thrown into the cage walls face first, to my personal delight. The match featured a lot of great feats of Pro-Wrestling extravaganza, such as Lashley catching Moose into a powerbomb, or Moose’s eventual leap off of the cage. It also featured a nice MMA inspired grappling sequence between Bonnar and King Mo. Eventually American Top Team invaded the cage and locked Moose out to beat on Bonnar, eliciting Moose to scale the cage and leap in. Regrettably, even after the biggest babyface heat getter of the match, American Top Team beat the team of Bonnar and Moose by sheer numbers alone. Thus prolonging a feud that should have blown off in this match between Pro-Wrestling and MMA. I hear they’re playing it out more over the tapings, and I don’t think it’ll bring much return on investment.

Grade: B
Match 8 – Johnny Impact vs. Eli Drake (c) – Impact Global Championship Match

The best thing I can say about this match is that it happened and Johnny Impact is cool. While Johnny Insertnamehere was a pleasure to watch, as he moves unlike any other performer in the business, the match was marred by three distinct factors: 1)Eli Drake, who is just about as interesting to me as a piece of cold, unbuttered, stale toast. I’ll give him credit for his remarkable athletic ability with his leaping superplex. Maybe he’ll grow on me. 2) “Vanilla Muscles” Chris Adonis, a man who can only trade on his looks. I want to like the man, but he’s just so “there.” He kept interjecting his bland self in the match, riddling it with heel lackey interference. 3) Alberto El Patron’s absurd, confusingly executed run-in. People nearby me were openly saying that it made no sense. I agree. El Patron, a man thoroughly booed and unwanted by the audience, ruins the ending of the main event of the biggest show of Impact’s yearly schedule and I’m supposed to be excited to see more? The match, up until El Patron got involved, would come in on its own at a B/B-… but that shitshow booking knocked it down to the lowest grade of the show. Nobody even got over out of that ending!

Grade: C
Conclusion:

Much like the history of Impact as a brand and Laurel Van Ness, Bound For Glory 2017 was a bit of a hot mess. The show genuinely had some fun matches, but something just felt off throughout the show. The fun repeatedly punctured by these unsettling moments where I question what in the sweet hell the company is doing. Ending the show in such an unsatisfactory manner, in a match already riddled with interference, just derailed the entire experience. It’s a bit stupefying how a company with access to the vast wealth of talent Impact has access to continually hangs its hat on tired ideas the company has burned through before and performers whom the audience is, rightfully so, sick of seeing and hearing from. Even when they do something new and fun, like the LVN gimmick, they do it in such a way that it distracts and detracts value from other performers. They have a really long way to go before they genuinely pack houses, instead of giving away seats, for their TV tapings.

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#DiscoveringWrestling #031 – Can Anthem #MakeImpactGreat Again? (Part 3)

The list of international promotions who have had working relationships with Impact, in its various incarnations, is a lengthy one. I’m not going to lie and say that they’ve always made excellent use of these relationships, and the talent that has moved through their roster because of them, but, for a variety of reasons, they have always excited me.

Right now, Global Force Wrestling has working relationships with Pro Wrestling NOAH, AAA, and The Crash. Perhaps not too surprisingly they have already begun to lean on these relationships to bolster their roster and provide fresh, distinct match ups to their viewing audience. Most prominently featured, thus far, and becoming semi-regulars in the process, are the team of Garza Jr. and Laredo Kid, courtesy of The Crash. For many weeks now this pair have featured in the Tag Team landscape and have garnered for themselves a fair bit of love from those paying attention to the product.

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Look at how happy they are! But Garza Jr. recognizes this fan can’t spell his name right…

In more recent weeks, Impact Wrestling’s audience have been treated to the spectacle of Drago and Taiji Ishimori being entered into the latest installment of the Super X Cup, a four-company interpromotional tag team title match at Slammiversary, and the sheer bewildering absurdity of a Naomichi Marufuji versus Moose match for the Impact Grand Championship. Impact Wrestling talent have also found themselves abroad, working in NOAH and The Crash themselves this year.

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Drago picks up the win over Sammy Guevara and moves on to the Semi-Finals in the newly reborn Super X Cup! Seriously, guys, this X Division is good!

While many will cling to the well-documented story of Okada, as a young lion on excursion, having his time in TNA be a completely missed opportunity – and as hindsight would have it, woah yeah that’s a missed opportunity – few will give them credit for their successes. At present they have repeatedly used their inter-promotional guests to great effect, booking them to look strong in victory and defeat, making certain to set up their losses in ways that do not tarnish their value as special attractions for the brand. In doing this well enough they have elevated both the X and Tag Team divisions, injecting meaningful depth into a roster rife with instability, both looming and present. This presentation is respectful to their partner promotions and beneficial to making their own talent look competitive.

While the tag division, post-Slammiversary, has been on a simmer with LAX’s involvement with El Patron, the X division is at a full boil with the Super X Cup, the budding feud between Sonjay Dutt and Trevor Lee, and the ascendancy of Matt Sydal all going on at the same time. That’s a lot of TV time dedicated to the division. The fresh match ups and high quality performances brought to Impact Wrestling by their international guests are a strong component in making that time worth watching. Not only do they book them into matches up and down the card, they spend a decent amount of energy introducing their audience to who these guests are, getting them over and giving them depth enough so that the audience feels it is safe to invest in them. Realistically I do not know how long the current selection of talent will be in play, but it doesn’t feel like they’re just going to be here for a short time and have no meaning to the greater whole. That feeling, in the moment, is possibly more valuable than whether or not they actually succeed at it because it has generated intrigue and buzz enough to get people talking.

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This match was really quite amazing, and the set up here for Low-Ki’s double stomp had me excited. You knew it was coming and you couldn’t wait!

This formula reminds me of when, in times past, TNA had successfully utilized their international talent. I remember a young Hiroshi Tanahashi, then the IWGP U-30 champion, having matches with AJ Styles that excited me. Back then, much like the recent match between Moose and Marufuji, run ins marred the match itself but helped to keep the question of who would have won without it in the mix. Furthermore, Impact’s marketing of Wrestle Kingdom III as Global Impact  gave fans a window into a world that only tape traders and hardcore fans had had access to. This is arguably not something that was remarkably beneficial to them back then. Nevertheless  it did draw me further towards Puroresu which I am thankful for. However with the increased power of social media and the increasingly tightly-knit nature of the online fandom, I have seen people talking about and watching Impact who otherwise wouldn’t have bothered to pay it any mind at all. Most notably English speaking fans of their foreign partners, such as NOAH, who were abuzz about the announcements of the partnerships and the action that has unfurled from these relationships in those domains.

With the return of the Super X Cup, one must wonder if these partnerships could be leaned on to populate the roster of a potentially rebooted team-based World X Cup. The previously annual World X Cup events were always a highlight of TNA’s calendar year for someone like me. It put a lot of new talent in front of my eyes and introduced me to new companies, new styles of wrestling, new fan favorites. Indeed, I can say that I likely would have walked down my path into Puroresu fandom a lot later in life if Then-TNA hadn’t put so much of it in front of my eyes. If I had never discovered that Global Impact WAS Wrestle Kingdom III then I don’t know where I’d be as a wrestling fan now.

Right now, Global Force (a.k.a. Impact Wrestling f.k.a. Total Non-Stop Action Wrestling) sits at the crux of a fascinating international inter-promotional alliance. In the current landscape of Pro-Wrestling you have a handful of alliances building and consolidating their power bases. The WWE has its own, with Evolve, IPW, and Progress being willing underlings and talent farms for them. Then there is the second tier, featuring Ring of Honor, NJPW, CMLL, and Rev Pro. Then you have the third tier, consisting of AAA, NOAH, GFW, and The Crash (and, in an indirect way, Lucha Underground). This third alliance is seen by many as the black sheep of the industry.   GFW has a well documented, turbulent history full of highs and lows, with rumors of the company’s imminent shut down circling about every few months (or so it seemed). NOAH, once a shining star in the constellation Puroresu, now a brown dwarf barely visible in the night sky, were undone by untimely deaths and financial troubles which led them into an unfavorable relationship with NJPW. AAA is plagued by rampant rumbling rumors and twitter beefs about their backstage politicking and talent disputes. Only The Crash escapes the negativity-storm unscathed, and that is realistically because it’s very young. Humorously, The Crash spawned out of a splinter group of talent who left AAA because of their dissatisfaction with management.

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It was kind of surreal seeing NOAH’s logo on an Impact show, partly because I grew up watching both in my Post-E days.

Brought together, however, their leadership stood united on the ramp at Slammiversary, and their talent have worked matches together on Impact. 2017 has been a year of rebirth for GFW Impact and NOAH, seeing both companies turning out good shows and rededicating themselves what made them work in the first place. During their dark times the two companies didn’t feel like themselves, they felt like a bad version of another place. Can they lean on each other, and their turbulent Mexican partners, to revitalize, reinvigorate, reinvent, and rebrand themselves as themselves? Or will the immense potential presented by this pool of exchangeable talent go to waste? If I were to base my verdict on the past several months of Impact television, I’d say we’re in store for some amazing wrestling over the next few years… but the specter of the past looms large, and the only way to know for sure is to tune in each and every week to find out!

Do you have any feedback or questions? Leave a comment here!

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#DiscoveringWrestling #029 – Can Anthem #MakeImpactGreat Again? (Part 2)

Last week I wrote about the special feel and solid booking that GFW Impact Wrestling brought to its four weeks worth of television filmed in India. These shows, and the subsequent pay-per-view Slammiversary XV, featured a truly satisfying ratio between match time and segment time. This allowed for the matches to have, as they say, room to breathe. It gave the performers the room to develop the story of the match. With more meat to the in-ring portion of the product, the segments do not feel like they are robbing me of action I’d rather be seeing. This trend looks to be continuing in to Post-Slammiversay episodes of Impact as well.

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Look at that nice, slick logo!

I want to talk about the Swoggle and Rockstar Spud feud here in a positive light, which is funny to write down here because, by all rights, it was a waste of talent and TV time. It failed to do anything meaningful in-ring, and the entire story failed to make either man look particularly good. It was a sad expereince… except it wasn’t the same in the backstage vignettes. These segments were filmed to look like television drama rather than traditional backstage pro-wrestling cinematography. The critical successes of the #Broken Hardys’ gimmick and Lucha Underground’s entire presentation has clearly gotten through to someone in creative and they’ve decided to go all in on it. This decision elevated an otherwise idiotic set of cliched and meaningless feud into a campy, weird jaunt through dreary American hospital rooms to self-referential, bizarrely aware of itself, campy Indian cafeteria food fights and chase scenes through the streets.

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Look at that amazing framing!

This advanced presentation was not limited to Spud and Swoggle. Many other names benefitted from it. The training sessions with Borash and Park were filmed in a simillar fashion, and the entire middle portion of their Slammiversary match against Matthews and Steiner was a jaunt through the annals of Impact history which even included underwater camerawork. LAX and the strange musclely bromance of Eli Drake and Christopher Adonis also got caught up in these really fun vignettes of their own, that certainly felt like we were getting a look into these characters world’s outside of just an arena and dressing rooms and hanging a cloth on the wall, mounting a logo to it and calling it an office.Hell, they even made me care about the goddamn Mumbai Cats!

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They made me care about these monstrocities!

There’s a certain tone that runs through these segments that feels a bit irreverent. They know we’re in in the illusion and a lot of it comes off as tongue-in-cheek. At the same time as this new approach is being injected into the framework of Impact as a television show, the familiar tropes and stylings of Pro-Wrestling as Television bolster the bulwarks of the genre. They’ve freshened up the product without  what a wrestling fan, casual or hardcore, has come to expect about it. Continuing in this direction, and maintaining an upward momentum in quality storytelling (as they did with Dutt vs Low Ki, something I talked about last week) this could pay big dividends in making their product have its own identity again, instead of being looked at by many in the Pro-Wrestling fandom and community as a C-Grade version of the WWE.

Come on back next week, where I’ll talk about how GFW Impact is leaning on its great international alliances! Also, later this week tune in for my review of Smash Wrestling’s latest event!

Do you have any feedback or questions? Leave a comment here!

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#DiscoveringWrestling #028 – Can Anthem #MakeImpactGreat Again? (Part 1)

I will admit to having been a wandering fan of NWA-TNA-IMPACT-GFW. I fell headlong into my fandom when they were on Spike, a channel I could finally get in my Canadian cable TV packages, which i had to beg my Mum to add to our package. During this time something resonated with me in Then-TNA more than WWE. The X Division was brilliant and somehow they managed to reinvent and rebirth characters whom the E had failed me on. I fell out of regularly watching them shortly after Hulk Hogan made the decision to take away the six-sided ring and try to convince me that his presence was beneficial to the company. Nevertheless, I have occasionally popped back in from time to time, trying to get back into the product that had provided me with so much joy.

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This Logo has gone through a lot of revisions in recent months.

Once Anthem purchased Impact Wrestling (and now GFW too, Double J somehow keeps on winning despite all odds) some interesting details and news started coming to light. Piquing my interest the most was the announcement that they were heading to India to film a series of episodes. One of my favourite things in Pro-Wrestling is seeing how different cultures engage with and reinterpret the art. Never before had a North American company broadcast shows filmed with an Indian audience and I knew I’d have to follow along and see what the crowd was like. If nothing else about the shows was good, at least I’d have a window into the Indian audience.

I tuned in a few weeks ahead of the India episodes, so that I wouldn’t be blind to the storylines heading into these special episodes. I found myself pleasantly surprised by how focused the shows were on in-ring action, and was greeted with the returns of Low-Ki and Sonjay Dutt. A clever decision geared towards helping reintroduce returning fans to the product’s new age with some familiar faces. I’m not going to break matches down here, or dissect every single nuance of every single story that Impact has had going on over the last five or six weeks. That would miss the point entirely. I’d like to talk about a selection of details that really highlight the deep potential their programming has displayed over the last while. This week I’m going to talk about what pulled me back in to the fold: their excursion to India.

Beyond making history, and beating the E to the punch, by being the first North American promotion to broadcast shows filmed in India, Impact’s time in Bollywood gave the viewer some notable ups, with very few downs. The crowd in attendance for these tapings was hot for the product. They were there to have a good time and reacted at all the appropriate times in the appropriate ways. I’m certain that India is capable of producing smarks but they didn’t make their presence felt the way they so often do in North American audiences. This may be because having full-fledged promotions running in India is a relatively recent phenomenon, with things like The Great Khali’s CWE and WrestleSquare being relatively fresh in the cultural zeitgeist. It may also be because the Impact brand lineage was one of the first to try and push into the Indian market and establish themselves a foothold, even going so far as to create the short-lived Indian based Ring Ka King promotion for that market. Maybe they just wanted to be excited for the spectacle of a live event. Whatever the reason, the audience was so into the show that they elevated the product.

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Moose got a good reaction from the audience, who quickly picked up on the arm pump mannerism and reacted vigorously for all performers.

Another distinct upside to the tapings in India was the booking of Sonjay Dutt’s storyline. The creative team built up a story that worked to engage and captivate both the North American and Indian audience at the same time. For the North American fans the story hinged upon Dutt’s inability to capture the X Division title in his lengthy tenure with the company, and was back-dropped with his return “home” to India where he finally captured the championship that had eluded him for so long. For the Indian fans he was an Indian underdog, coming to the ring with an eye patch over his wounded eye, competing for a championship on home turf. He came out of these episodes as a babyface to both audiences. The booking rewarded both the longtime Impact viewer and the hometown fans equally. More importantly, while they did play with Indian tropes throughout the shows, at no point did they pander towards xenophobia. This is the right way to go about making an Indian the central figure to an arc to attract the Indian audience. Compare this to the criticism often leveled at the E: Jinder Mahal is an Indian for an American audiences to hate. Sonjay Dutt is an Indian for an Indian and American audience to love. He’s a bigger face now than he ever was before. All of that without even mentioning how good the matches he had with Low-Ki were, easily the best work I have personally seen from Dutt. I’ll talk more about the in-ring product another time.

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To make the shows in India extra special, GFW Impact Wrestling even modified their match graphics and logo to reflect the colours of India’s flag.

Logistically I know that heading back there may not be easy or immediately cost effective but I do believe it would be to the benefit of the brand to make their presence in India a part of their annual schedule. It made the product feel extra special with the change in colours for the logos, and the different settings for the outdoors vignettes, and the simple but effective and respectful booking. If Anthem truly wants a “Global Force” in the business, they can do so if they can corner a solid share of the Indian market. Not only would it be financially beneficial to gain revenue from the huge Indian market, the difference in presentation to their North American audience would really make Impact feel special. If Anthem can capitalize on this market, and this special feeling to these shows, they just might #MakeImpactGreat again!

Come back next week where I’ll continue looking at the direction of GFW Impact Wrestling.

Do you have any feedback or questions? Leave a comment here!

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